What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor? In
Working across and among languages, media, and art forms, Caroline Bergvall’s writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and
This week, we examine the sounds humans make in order to monitor, repel, and control beasts. Author Mandy-Suzanne Wong’s Listen, We All Bleed is a creative nonfiction monograph that explores the human-animal relationship through animal-centered sound art. We’ll hear works by Robbie Judkins, Claude Matthews, and Colleen Plumb,
Charles Hayward is one of the most propulsive, resourceful and generative rock-plus drummers of the past half-century. An influential percussionist, keyboardist, songwriter, singer of songs, and forward thinker through sound, Charles spoke with Phantom Power about a 40thanniversary touring with a partly reformed and enlarged This Heat as This Is
Season Two erupts in our ears with a film-noir soundscape—an eerie voice utters strange and disjointed phrases and echoing footsteps lead to sirens and gunshots. What on Earth are we listening to? We unravel the mystery with NYU media professor Mara Mills who studies the historical relationship between disability
It’s T minus one week and counting until the Launch of Phantom Power Season Two! We can’t wait to share this season’s shows on auditory psychology, animal sound art, radio drama mashups, ritual poetry, and more. As always, we’ll interview performers and scholars at the cutting
Phantom Power is a monthly newsletter on sound and listening. It features essays and interviews on the culture, politics, physics, and philosophy of sound, as well as reviews of new music, film sound, sound art, and books on sound.
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Slab trunks feature sound systems and visual displays. Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those
On July 18th this year, Teresa Barrozo‘s question — What might the Future sound like? — will be opened to global participation. We bring news of World Listening Day, and speak with Teresa about her intervention. We also hear of data archival developments in acoustic ecology. And we speak with Leah
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white
This time we talk with a fascinating sound artist and composer Mack met at a recent meeting of the Society for Literature, Science, and the Arts. As his website puts it, “Brian House is an artist who explores the interdependent rhythms of the body, technology, and the environment. His background
This episode we have a single longform interview with a media scholar of note–The New School’s Shannon Mattern. We have teamed up with Mediapolis, a journal that places urban studies and media studies into conversation with one another, to interview Mattern about her new book, Code and Clay,
On our first episode of Phantom Power, we ponder those moments when the air remains unmoved. Whether fostered by design or meteorological conditions or technological glitch, the absence of sound sometimes affects us more profoundly than the audible. We begin with author John Biguenet discussing his book Silence (Bloomsbury, 2015)